Atheism in American Rock and Metal Music (1989-2001); Satanic, Subversive, and un-American?

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Verheul, J.
dc.contributor.author	Daanen, S.
dc.date.accessioned	2017-10-30T18:01:01Z
dc.date.available	2017-10-30T18:01:01Z
dc.date.issued	2012
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/27974
dc.description.abstract	This thesis is concerned with the question in what ways American atheist rock and metal musicians are negotiating the role of religion in American society. In what ways are they perceived as being satanic, subversive, and un-American because of the way they express their opinions in their work? By looking at three case studies (Nine Inch Nails, Marilyn Manson, and Slipknot) this thesis tries to research what the role of atheism and atheists is in American society.
dc.description.sponsorship	Utrecht University
dc.format.extent	1304911
dc.format.mimetype	application/pdf
dc.language.iso	en_US
dc.title	Atheism in American Rock and Metal Music (1989-2001); Satanic, Subversive, and un-American?
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	atheism, rock and metal music, fandom, nine inch nails, marilyn manson, slipknot, subversive, satanic, un-american
dc.subject.courseuu	American Studies