Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Hoorenman, J.E.M.
dc.contributor.advisor	Kager, R.W.J.
dc.contributor.author	Dubbeldam, M.
dc.date.accessioned	2016-09-06T17:00:46Z
dc.date.available	2016-09-06T17:00:46Z
dc.date.issued	2016
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/24138
dc.description.abstract	The main question this study sets out to answer is to what extent large media conglomerates such as YG Entertainment, JYP Entertainment, and SM Entertainment are involved in shaping the K-Pop movement and how big their influence on the American/Korean hybridization process of the Korean cultural market is. Also, how can this information be used to analyze the contemporary American cultural transfer debate.
dc.description.sponsorship	Utrecht University
dc.format.extent	413382
dc.format.mimetype	application/pdf
dc.language.iso	en_US
dc.title	Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Socio-Linguistics, American Cultural Transfer, K-Pop, Cultural Hybridity, Korea, United States of America
dc.subject.courseuu	American Studies