24/7. De invloed van surveillance op de hedendaagse kunst.
dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Rossem, P. van | |
dc.contributor.author | Grift, S.E. van de | |
dc.date.accessioned | 2012-09-06T17:02:19Z | |
dc.date.available | 2012-09-06 | |
dc.date.available | 2012-09-06T17:02:19Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/20255 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 10066453 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | nl | |
dc.title | 24/7. De invloed van surveillance op de hedendaagse kunst. | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | sousveillance, surveillance, media, privacy, harris, elahi, orwell, bentham | |
dc.subject.courseuu | Kunstgeschiedenis |