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Power Dynamics in Adaptations of Jane Eyre: The Different Depictions of Jane and Rochester's Interactions

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorSupheert, R.G.J.L.
dc.contributor.advisorFranssen, P.J.C.M.
dc.contributor.authorHofstede, T.E.
dc.date.accessioned2013-09-05T17:01:30Z
dc.date.available2013-09-05
dc.date.available2013-09-05T17:01:30Z
dc.date.issued2013
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/14486
dc.description.abstractIn this essay, the power relationship between Jane and Rochester, as it is presented in Brontë's novel, is compared to four different film adaptations: the 1945 film by Franklin Schaffner, the 1983 TV series by Julian Amyes, the 2006 TV series by Susanna White, and the 2011 film version by Cary Fuknunaga. This is done by comparing 3 different scenes, present in all versions: the first meeting, Jane's departure from Thornfield, and finally her return to it. The power dynamic, as represented, heavily leans towards Rochester in the earlier adaptations, and moves back towards Brontë's equilibrium in the course of the 21st century.
dc.description.sponsorshipUtrecht University
dc.format.extent745829 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titlePower Dynamics in Adaptations of Jane Eyre: The Different Depictions of Jane and Rochester's Interactions
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsJane Eyre
dc.subject.keywordsPower
dc.subject.keywordsPower dynamics
dc.subject.keywordsHierarchy
dc.subject.keywordsRochester, Charlotte Brontë
dc.subject.keywordsBrontë
dc.subject.keywordsSchaffner
dc.subject.keywordsAmyes
dc.subject.keywordsWhite
dc.subject.keywordsFukunaga
dc.subject.keywordsAdaptations
dc.subject.keywordsBarthes
dc.subject.courseuuEngelse taal en cultuur


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