Show simple item record

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorSupheert, R.G.J.L.
dc.contributor.authorHarselaar, M.C. van
dc.date.accessioned2013-05-17T17:01:12Z
dc.date.available2013-05-17
dc.date.available2013-05-17T17:01:12Z
dc.date.issued2013
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/12987
dc.description.abstractThis paper will shed light on the reasons why three modern adaptations, namely Bram Stoker’s Dracula (1992), Dracula 2000 (2000) and the BBC Dracula (2006), use historiographic metafiction and why they differ so much from the original novel with regard to narrative, themes and the characterisation, whereas two classic adaptations stay much closer to the novel in this regard. These particular discrepancies have sprung from the requirements and interests of modern filmography, literature and society.
dc.description.sponsorshipUtrecht University
dc.format.extent1176127 bytes
dc.format.mimetypeapplication/msword
dc.language.isoen
dc.titleBram Stoker’s Dracula Adapted In Modern Times: Theories on Characterisation, Themes and Historiographic Metafiction
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsdracula, vampires, vampire fiction, vampire films, historiographic metafiction, characterisation, themes
dc.subject.courseuuEngelse taal en cultuur


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record