dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Groot Nibbelink, Liesbeth | |
dc.contributor.author | Peter, K. | |
dc.date.accessioned | 2012-09-18T17:00:51Z | |
dc.date.available | 2012-09-18 | |
dc.date.available | 2012-09-18T17:00:51Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/11559 | |
dc.description.abstract | This dissertation analyses how the audience is affected in the performances of La Fura dels Baus while the company follows the dramaturgical strategies of Antonin Artaud's "theatre of cruelty". A study on shock effect through the performances "Suz/o/Suz", "Imperium" and "Degustacion de Titus Andronicus". | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1857837 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | The "Cruelty" in La Fura dels Baus | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.courseuu | Theaterwetenschap (Theatre Studies) | |