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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorPascoe, D.A.
dc.contributor.advisorKosters, O.R.
dc.contributor.authorBiesmeijer, T.S.
dc.date.accessioned2011-09-19T17:03:57Z
dc.date.available2011-09-19
dc.date.available2011-09-19T17:03:57Z
dc.date.issued2011
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/9093
dc.description.abstractChristopher Butler . . . writes with regard to the French avant-garde author and film producer Alain Robbe-Grillet: "[any] reliance upon past habits of reading and writing . . . is once more to be renounced, in favour of free invention and that phenomenological investigation of the artist's own processes". The same might have been written with reference to Beckett, to whom, after the war, the use of facets of art such as images, sound, music, silence, composition and choreography appear to become equally important to the use of language and words in his writing.
dc.description.sponsorshipUtrecht University
dc.format.extent561100 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleWords and Music: The Role of the Musical Elements in Samuel Beckett's Works
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsBeckett, Samuel, Sound, Music, Silence, Postwar, Postmodernism
dc.subject.courseuuWesterse literatuur en cultuur


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