dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Cook, S. | |
dc.contributor.author | Florisson, R.T. | |
dc.date.accessioned | 2011-08-30T17:01:16Z | |
dc.date.available | 2011-08-30 | |
dc.date.available | 2011-08-30T17:01:16Z | |
dc.date.issued | 2011 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/8450 | |
dc.description.abstract | This thesis aims at discussing a number of Rushdie's devices in The Satanic Verses to reach an understanding of his fiction, in particular the construction of a form that allows the "miraculous and the mundane to co-exist at the same level, as the same order or event" (Rushdie, 1991). It incorporates an original piece of fiction and analysis. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 256838 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | How Newness Enters the World, Discussing Rushdie's The Satanic Verses: Incorporating an Original Piece of Fiction. | |
dc.type.content | Bachelor Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | identity, truth, doubling, miscellany of tradition and myth, shrunken universe, loss of faith, transformation, narrative construct, recursiveness | |
dc.subject.courseuu | Engelse taal en cultuur | |