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The soundtrack of who we are Performing identities in Palestinian hip hop – A case study

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorvan Bruinessen, Martin
dc.contributor.authorKalkeren, L.S.D. van
dc.date.accessioned2011-08-05T17:01:09Z
dc.date.available2011-08-05
dc.date.available2011-08-05T17:01:09Z
dc.date.issued2011
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/7964
dc.description.sponsorshipUtrecht University
dc.format.extent442087 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleThe soundtrack of who we are Performing identities in Palestinian hip hop – A case study
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordship hop, Palestine, DAM, postcolonial, music, youth culture, connective marginalities, hybridity, Arabic
dc.subject.courseuuArabische Taal en Cultuur


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