The Animated Index - The Different Semiotic Ontologies of the Animation Styles

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Hurley, J.S.
dc.contributor.author	Lawant, A.B.V.
dc.date.accessioned	2011-08-03T17:00:44Z
dc.date.available	2011-08-03
dc.date.available	2011-08-03T17:00:44Z
dc.date.issued	2011
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/7854
dc.description.abstract	It is somewhat of a fallacy to speak of 'animation' as one thing. In fact, what we call 'animation' is actually a wide variety of different techniques. In order to approach and dissect the ontology of these different styles, their different semiotic structures ae helpful.
dc.description.sponsorship	Utrecht University
dc.format.extent	5741004 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	The Animated Index - The Different Semiotic Ontologies of the Animation Styles
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Semiotics, Animation, CGI, Stop Motion, Ontology, Rotoscoping, Handdrawn Animation.
dc.subject.courseuu	Film- en Televisiewetenschap