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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorKuegle, K.
dc.contributor.authorAndreou, K.
dc.date.accessioned2011-03-22T18:00:43Z
dc.date.available2011-03-22
dc.date.available2011-03-22T18:00:43Z
dc.date.issued2011
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/6747
dc.description.abstractIn this thesis I present evidence of the influence of Richard Wagner on Manolis Kalomiris, a Greek composer who is considered to be a rather influential figure in the music-cultural development of Greece during the beginning of the twentieth century. I believe that both Richard Wagner’s ideas and the formal design of his dramas can be traced in Manolis Kalomiris’s visions and work. Therefore, first through a comprehensive discussion of Kalomiris’s contribution in the Greek periodical Noumas between 1908 and 1914, I analyze his texts in order to reveal potential ideological filiations with Wagner’s ideas. Then using a formal approach I look at Kalomiris’s first music drama, O Protomastoras, for technical aspects of that could be attributed to Wagner’s influence.
dc.description.sponsorshipUtrecht University
dc.format.extent1408709 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleWAGNERIAN INSEMINATION IN MANOLIS KALOMIRIS’S ŒUVRE - THE CASE OF O PROTOMASTORAS
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.courseuuMusicology


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