Imagining the Antique: The Use and origin of Antique Motifs in the Visual Arts of the Low Countries 1480-1530

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Ottenheym, K.A.
dc.contributor.author	Kik, O.G.
dc.date.accessioned	2010-09-09T17:00:39Z
dc.date.available	2010-09-09
dc.date.available	2010-09-09T17:00:39Z
dc.date.issued	2010
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/5683
dc.description.abstract	The thesis investigates the representation of Renaissance Architecture and Ornament in at the close of the fifteenth and the beginning of the sixteenth century in the Low Countries. Painting in this period was characterized by a growing influx of new forms and architectural features. The origin and the diffusion of these motifs will be researched in the context of the changing workshop practices of serial production. Finaly the concequences of this novel typology for the Renaissance building practice in the Low Countries will be touched upon.
dc.description.sponsorship	Utrecht University
dc.format.extent	6937032 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Imagining the Antique: The Use and origin of Antique Motifs in the Visual Arts of the Low Countries 1480-1530
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Renaissance, Antique, Architecture, sixteenth century, Antwerp Mannerism, Memling, Gossaert, putti, garlands, Bramante, Painting, Low Countries, Pieter Coecke van Aelst, Habsburg, workshop
dc.subject.courseuu	Art History of the Low Countries in its European context