dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Kattenbelt, dr. M.J. | |
dc.contributor.author | Wiegel, L. | |
dc.date.accessioned | 2010-09-02T17:01:13Z | |
dc.date.available | 2010-09-02 | |
dc.date.available | 2010-09-02T17:01:13Z | |
dc.date.issued | 2010 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/5550 | |
dc.description.abstract | This thesis discusses the way human sense perception is affected by digital technology. Following Maurice Merleau-Ponty, the human body is considered to be fundamental to perception. In this age, the human body and its senses can no longer evade the influence of technology; however, digital technology has become elusive and its role in the processes of perception often goes unnoticed. An aesthetic framework has the critical potential to construct a self-reflexive mode of perception in which the subject becomes aware of the processes of perception. Several performances are analysed to illustrate how intermediality as a representational strategy can make visible the conditioning of perception through digital technologies. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1278686 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Perception in the digital age: Analysing aesthetic awareness of changing modes of perception | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | perception | |
dc.subject.keywords | intermediality | |
dc.subject.keywords | performance | |
dc.subject.keywords | digital | |
dc.subject.keywords | defamiliarisation | |
dc.subject.courseuu | Media and Performance Studies | |