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Fashion, Masquerade and the Gaze in Anna Biller's The Love Witch (2016)

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorKorte, Anne-Marie
dc.contributor.authorHarthoorn, Michelle
dc.date.accessioned2021-10-29T10:01:16Z
dc.date.available2021-10-29T10:01:16Z
dc.date.issued2021
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/54
dc.description.sponsorshipUtrecht University
dc.language.isoEN
dc.subjectAn exploration of the intra-action between fashion and female embodiment within a patriarchy in Anna Biller's film The Love Witch (2016).
dc.titleFashion, Masquerade and the Gaze in Anna Biller's The Love Witch (2016)
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsFeminist film studies; agential realism; fashion; masquerade; the male gaze; the female gaze
dc.subject.courseuuGender Studies
dc.thesis.id143


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