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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorHoorenman, J.E.M.
dc.contributor.authorBerkhout, Mylène
dc.date.accessioned2025-09-01T00:04:57Z
dc.date.available2025-09-01T00:04:57Z
dc.date.issued2025
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/50267
dc.description.abstractFrom ancient epic to contemporary TV-series, the shapeshifter has a longstanding tradition of exploring the boundaries between human, animal and divine. Most intriguing is its persistent popularity within a society dominated by human-centred philosophy and the separation from nature and other. Delving into humanist and posthuman theory, I explore the (sub)conscious definitions of the human condition, its limitations and boundaries, through the literary motif of the shapeshifter – the ultimate transgressor of the boundaries between human and other – in N. K. Jemisin’s fantasy fiction series The Inheritance Trilogy. I use an intertextual deep time approach to situate these shapeshifters within the larger trajectory of their tradition. I argue that Jemisin deliberately destroys her carefully constructed definitions of human in favour of a posthuman approach of affirmative becoming that stresses the inclusion of the full bodymind and an interconnectedness with ‘earth others.’ Jemisin’s shapeshifters, then, stress the need for a transcendence beyond strict definitions to fully become-human.
dc.description.sponsorshipUtrecht University
dc.language.isoEN
dc.subjectThis thesis explores the literary shapeshifter motif in NK Jemisin’s first major epic fantasy trilogy, The Inheritance Trilogy.
dc.titleHow to become-human: a shapeshifter's perspective
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsshapeshifting, posthumanism, becoming, god, animal, human, fantasy.
dc.subject.courseuuLiteratuur vandaag
dc.thesis.id53399


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