dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Alawi, Wafa | |
dc.contributor.author | Brouwers, Celeste | |
dc.date.accessioned | 2025-07-18T01:00:48Z | |
dc.date.available | 2025-07-18T01:00:48Z | |
dc.date.issued | 2025 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/49277 | |
dc.description.sponsorship | Utrecht University | |
dc.language.iso | EN | |
dc.subject | Through in-depth interviews with employees at Dutch National Opera & Ballet, I look at what the organization has done in order to attract a more culturally diverse audience. I take two productions specifically aimed at diversity - 'OUM: A Son's Quest for his Mother,' and 'How Anansi Saved the Stories of the World' - as case studies and analyze the interviews using the concepts of distinction and cultural capital as described by Bourdieu. | |
dc.title | Bringing Cultural Diversity to the Theatre: Experiences of Dutch National Opera & Ballet
Employees | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.courseuu | Interculturele communicatie | |
dc.thesis.id | 48695 | |