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“This life lived mostly underground”: Exploring Isolation, Disconnectedness and (Self-)Estrangement on Andrew Hozier-Byrne’s Unreal Unearth through Dante Alighieri’s Inferno

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorBardazzi, Adele
dc.contributor.authorLeeuwenburgh, Fenna
dc.date.accessioned2025-06-27T23:01:18Z
dc.date.available2025-06-27T23:01:18Z
dc.date.issued2025
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/49068
dc.description.sponsorshipUtrecht University
dc.language.isoEN
dc.subjectThis thesis describes how Irish artist Andrew Hozier-Byrne uses Dante Alighieri’s Inferno as an intermedial framework for his concept album Unreal Unearth, released in August 2023. Using close reading as its main method and writings on musical narrativity, intermediality and transculturalism as a theoretical basis, this study delineates the narrative and stylistic parallels between the intertextual, auditory, and iconographic aspects of Unreal Unearth and Inferno.
dc.title“This life lived mostly underground”: Exploring Isolation, Disconnectedness and (Self-)Estrangement on Andrew Hozier-Byrne’s Unreal Unearth through Dante Alighieri’s Inferno
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsAndrew Hozier-Byrne; Dante Alighieri; Estrangement; Intermediality; Isolation; Inferno; Musical Narrativity; Popular Music; Transculturalism; Unreal Unearth
dc.subject.courseuuLiterature Today
dc.thesis.id46933


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