| dc.rights.license | CC-BY-NC-ND | |
| dc.contributor.advisor | Hassler-Forest, D.A. | |
| dc.contributor.author | Berends, Alana | |
| dc.date.accessioned | 2025-06-27T09:01:22Z | |
| dc.date.available | 2025-06-27T09:01:22Z | |
| dc.date.issued | 2025 | |
| dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/49062 | |
| dc.description.sponsorship | Utrecht University | |
| dc.language.iso | EN | |
| dc.subject | This thesis analyzes how the concept of “radical abjection” can challenge patriarchal ideologies when applied to teen and young adult cinema, specifically through the use of the “monstrous-feminine” and her acts of revolts in accordance with Barbara Creed. The films Lisa Frankenstein (Diablo Cody, 2024) and Your Monster (Caroline Lindy, 2024), both written and directed by women, appear as a feminist rarity in the niche horror rom-com genre. | |
| dc.title | House of Violent Women: The radical abjection of the Monstrous-Feminine in the human-monster
relationships of Lisa Frankenstein (2024) and Your Monster (2024) | |
| dc.type.content | Master Thesis | |
| dc.rights.accessrights | Open Access | |
| dc.subject.courseuu | Film and Television Cultures | |
| dc.thesis.id | 46856 | |
