| dc.rights.license | CC-BY-NC-ND | |
| dc.contributor.advisor | Hoorenman, J.E.M. | |
| dc.contributor.author | Kreeft, Roos | |
| dc.date.accessioned | 2024-07-24T23:07:32Z | |
| dc.date.available | 2024-07-24T23:07:32Z | |
| dc.date.issued | 2024 | |
| dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/46908 | |
| dc.description.sponsorship | Utrecht University | |
| dc.language.iso | EN | |
| dc.subject | This thesis argues that Dante Alighieri’s Inferno is used by several Irish authors from the late nineteenth century onwards as a memorial space for (a forgotten) Irish history. The literature that engages with Dante in this way demonstrates the ongoing hurt that stems from colonial Ireland. I analyse the works of poets Eavan Boland and Seamus Heaney, as well as the music of Andrew Hozier-Byrne and examine how these works build on each other to generate the memory site of Dante's Underworld. | |
| dc.title | "The Deeper I Got into the 'Inferno', the More I Walked": Dante's Underworld as a Memorial Space for Irish Literary Heritage in the Works of Eavan Boland, Seamus Heaney, and Hozier | |
| dc.type.content | Master Thesis | |
| dc.rights.accessrights | Open Access | |
| dc.subject.keywords | Eavan Boland; Seamus Heaney; Hozier; Dante Alighieri; Inferno; Post-Colonialism; Memory Transfer; Memory Sites; Transtextuality; Repressed History | |
| dc.subject.courseuu | Literatuur vandaag | |
| dc.thesis.id | 34761 | |
