Choreographing queer festivals: How does festivalization contribute to different social choreographies in Amsterdam Pride, Athens Pride and Queeristan Amsterdam?

Abstract

The roots of LGBTQ+ festivals can be traced back to the Stonewall riots, which united gay, lesbian, and transgender individuals in their fight against the system of oppression they faced. Queer festivals have since challenged the assumptions of heteronormativity regarding gender identity and sexual orientation, showcasing bodily practices that fall outside these norms. By examining the timelines of these festivals in two European countries, we can gain insight into the level of social impact demonstrated during these events. This enables us to determine whether a particular queer-organized festival is purely a celebration or still holds significant political influence through acts of protest. Although they share a common origin and purpose, queer festivals are not uniform and are manifested differently. This thesis utilizes choreography to illustrate how social norms and statements are embodied through these festivals. A crucial aspect of the analysis is the concept of festivalization, its integration into society and the festivals themselves, and its potential impact. The term "festivalization" is not utilized as a variable to demonstrate a positive or adverse evolution of queer festivals. Instead, it is a tool that can be used to apply the lens of social choreography more efficiently to the dramaturgy of Athens Pride, Amsterdam Pride, and Queeristan festivals.