The rise of deconstructing white trash movies: Analyses of representations of white trash in Erin Brockovich (2000), 8 Mile (2002), A Love Song For Bobby Long (2004) and Black Snake Moan (2006)
dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Pargas, D. | |
dc.contributor.advisor | Badenoch, A. | |
dc.contributor.author | Laer, F. van | |
dc.date.accessioned | 2010-04-22T17:00:17Z | |
dc.date.available | 2010-04-22 | |
dc.date.available | 2010-04-22T17:00:17Z | |
dc.date.issued | 2010 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/4521 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1487872 bytes | |
dc.format.mimetype | application/msword | |
dc.language.iso | en_US | |
dc.title | The rise of deconstructing white trash movies: Analyses of representations of white trash in Erin Brockovich (2000), 8 Mile (2002), A Love Song For Bobby Long (2004) and Black Snake Moan (2006) | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.courseuu | American Studies |