The Infinite Nature of Scream (1996)
| dc.rights.license | CC-BY-NC-ND | |
| dc.contributor.advisor | Baer, Nicholas | |
| dc.contributor.author | Varaksin, Artem | |
| dc.date.accessioned | 2023-08-24T00:00:44Z | |
| dc.date.available | 2023-08-24T00:00:44Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/44742 | |
| dc.description.abstract | ["",""] | |
| dc.description.sponsorship | Utrecht University | |
| dc.language.iso | EN | |
| dc.subject | The thesis re-evaluates the position of 1996's "Scream" in the horror landscape, through the film's postmodernist and self-reflexive elements, with a focus on how communication technology is portrayed in the film. | |
| dc.title | The Infinite Nature of Scream (1996) | |
| dc.type.content | Master Thesis | |
| dc.rights.accessrights | Open Access | |
| dc.subject.courseuu | Film and Television Cultures | |
| dc.thesis.id | 22329 |
