Wording Identities: How Can Museums Label Diasporic Artists?
| dc.rights.license | CC-BY-NC-ND | |
| dc.contributor.advisor | Deschepper, Julie | |
| dc.contributor.author | Bois, Olombi | |
| dc.date.accessioned | 2023-08-17T00:01:31Z | |
| dc.date.available | 2023-08-17T00:01:31Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/44688 | |
| dc.description.abstract | ["",""] | |
| dc.description.sponsorship | Utrecht University | |
| dc.language.iso | EN | |
| dc.subject | This thesis questions the methodologies used thus far to refer to artists' nationalities and identities in museum labels. It aims at answering why this information might help a visitor approach an artwork and how it can also be detrimental. It explores the different methods used and proposes a new one for a contextual label. | |
| dc.title | Wording Identities: How Can Museums Label Diasporic Artists? | |
| dc.type.content | Master Thesis | |
| dc.rights.accessrights | Open Access | |
| dc.subject.courseuu | Art History | |
| dc.thesis.id | 21999 |
