dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Keidl, Philipp | |
dc.contributor.author | Lammers, Lucie | |
dc.date.accessioned | 2023-07-06T00:01:34Z | |
dc.date.available | 2023-07-06T00:01:34Z | |
dc.date.issued | 2023 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/44116 | |
dc.description.abstract | [""The thesis studies how the youth film "After we collided" portrays domestic violence and alcoholism, with a focus on gaslighting, hegemonic masculinity, victim blaming, and alcoholism bias. The study utilized John Fiske's codes of television—representation, ideology, and reality—to examine the film. The author argues that the film perpetuates patriarchy through strategies like downplaying abusive behaviors, positioning women as victims with skewed judgment, portraying hegemonic masculinity, victim blaming, and reinforcing stereotypes associated with alcoholism. As such, the author argues, "After we collided" reinforces ideologies of gender inequality,""] | |
dc.description.sponsorship | Utrecht University | |
dc.language.iso | EN | |
dc.subject | De thesis onderzoekt hoe de jeugdfilm After We Collided huiselijk geweld en alcoholisme portretteert. Hierbij zijn de concepten hegemonic masculinity, ideological gaslighting, victim blaming and alcoholism bias belangrijk. Deze worden onderzocht aan de hand van de codes of television van media scholar John Fiske. | |
dc.title | A representative film analysis of the film After we collided | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | domestic violence; alcoholism bias; ideological gaslighting; victim blaming; alcoholism; hegemonic masculinity | |
dc.subject.courseuu | Film and Television Cultures | |
dc.thesis.id | 18221 | |