dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Jas, E.T.F. | |
dc.contributor.author | Dieleman, A.M.E. | |
dc.date.accessioned | 2010-02-15T18:00:10Z | |
dc.date.available | 2010-02-15 | |
dc.date.available | 2010-02-15T18:00:10Z | |
dc.date.issued | 2010 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/4252 | |
dc.description.abstract | The manuscript BerlGS 7 originally consisted of five partbooks. During World War II, four of these were lost. In recent years, however, copies of three lost parts were recovered, making a thorough study of the manuscript possible. In this thesis I discuss the external features of the manuscript, its repertoire and reasons why it may have been created. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 2878043 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Berlin, Geheimes Staatsarchiv Preussischer Kulturbesitz MS 7: Codicological, Textual and Contextual Aspects of a Mid-Sixteenth-Century Prussian Music Manuscript. | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Manuscript, BerlGS 7, Prussia, Reformation, sixteenth century, Renaissance, Music | |
dc.subject.courseuu | Musicology | |