dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Górska, Magdalena | |
dc.contributor.author | Makkus, Merel | |
dc.date.accessioned | 2022-08-11T00:00:57Z | |
dc.date.available | 2022-08-11T00:00:57Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/42262 | |
dc.description.abstract | This thesis focusses on a relational understanding of the self by asking how the self is
relationally constituted through others and the natural environment. This question is addressed
by visually analysing Ettinger’s “Rachel – Pieta – Medusa 3” (Ettinger 2018c) and Mendieta’s
“Imágen de Yágul” (Mendieta 1973). The research question that this thesis aims to answer is:
how do Ettinger’s painting on family relations and Mendieta’s photograph on natural relations
address relational understandings of the self through vulnerability and entanglement of the
self with others and the world? By putting these artworks in conversation with each other and
contemporary theory on relationality, this thesis approaches relationality through the
entanglement of the self with others as well as through the entanglement of the self with
nature. Through visual analysis of the artworks and an agential realist approach, this thesis
reads the materials through each other rather than against each other. First, this thesis analyses
Ettinger’s “Rachel – Pieta – Medusa 3” (Ettinger 2018c) to address relationality through
family relations and the self as relational with the other. Second, this thesis analyses
Mendieta’s “Imágen de Yágul” (Mendieta 1973) to address relationality through nature and
the self as relational with natural surroundings. Finally, this thesis addresses how notions of
self and vulnerability feature in both artworks and how the artworks bring up notions of self
and vulnerability differently to consider the self as vulnerable. This thesis works towards
understanding the self as intra-actively co-constituted through the blurring of boundaries
while simultaneously addressing relational differentiality through the articulations of
boundaries in both artworks. A relational understanding of the self challenges western
individualistic notions of self that consider the self as separable from others which has
resulted in the unequal distribution of vulnerability and safety, and as superior to nature which
has resulted in environmental devastation. Understanding the self as relational is important to
consider the self an active agency with ethical responsibility to care for others and the natural
environment. | |
dc.description.sponsorship | Utrecht University | |
dc.language.iso | EN | |
dc.subject | This thesis focusses on a relational understanding of the self by asking how the self is
relationally constituted through others and the natural environment. This question is addressed
by visually analysing Ettinger’s “Rachel – Pieta – Medusa 3” (Ettinger 2018c) and Mendieta’s
“Imágen de Yágul” (Mendieta 1973). | |
dc.title | The Relational Self | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.courseuu | Gender Studies (Research) | |
dc.thesis.id | 8322 | |