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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorCook, Simon
dc.contributor.authorVeeke, N.
dc.date.accessioned2021-05-06T18:00:14Z
dc.date.available2021-05-06T18:00:14Z
dc.date.issued2021
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/39391
dc.description.abstractIn modern society, media is all around us. In Speculative Ficton, this is not always the case. In Ballard’s High-Rise, Atwood’s The Handmaid’s Tale and Ishiguro’s Never Let Me Go, however, the access to media is denied or discarded. The function media has within the bounded systems that is enforced starts to change and intertwine with identity. In these narratives, media takes the place of the uncanny to question the authority behind media and how value is determined.
dc.description.sponsorshipUtrecht University
dc.format.extent423507
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleVogue, Porn and Documentaries: Analogue Media and the Uncanny in Speculative Fiction
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsSpeculative Fiction, The Uncanny, Analogue Media, J.G. Ballard, Margaret Atwood, Kazuo Ishiguro
dc.subject.courseuuEnglish Language and Culture


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