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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorPascoe, D.
dc.contributor.authorCastro Thijssen, A.
dc.date.accessioned2021-03-09T19:00:10Z
dc.date.available2021-03-09T19:00:10Z
dc.date.issued2021
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/39102
dc.description.abstractThe aim of the thesis has been to prove how Alexander Hamilton, the main character in Lin-Manuel Miranda’s musical Hamilton, represents the American myth of the self-made man. This has been analysed through a close reading of the musical lyrics, focusing on some of Hamilton’s character traits — hard work, ambition and awareness of his legacy — and seen from different thematical perspectives: his life story, his connection to the United States, his antagonists and his family. Miranda uses the myth of the self-made man to craft a success story while at the same time subverting it by showing the negative consequences it can have. Furthermore, the musical offers a chance to reflect on current issues in the United States such as the importance of diversity in representation or the sacred view on foundational texts and myths.
dc.description.sponsorshipUtrecht University
dc.format.extent276658
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.title“Rise Up!”: The Myth of the Self-Made Man in Lin-Manuel Miranda’s Hamilton
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsHamilton; musical; self-made; American dream
dc.subject.courseuuEnglish Language and Culture


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