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Constructing a hybrid identity through music: On Typhoon’s “practice of self-styling” in Lobi Da Basi

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorSchuiling, F.
dc.contributor.advisorRusch, L.
dc.contributor.authorStruijk, R.E.
dc.date.accessioned2021-01-05T19:00:18Z
dc.date.available2021-01-05T19:00:18Z
dc.date.issued2020
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/38405
dc.description.sponsorshipUtrecht University
dc.format.extent465734
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleConstructing a hybrid identity through music: On Typhoon’s “practice of self-styling” in Lobi Da Basi
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsTyphoon; Lobi Da Basi; hip hop; Kaseko; diaspora music; hybrid identities; Black Atlantic; practice of self-styling; identity construction
dc.subject.courseuuApplied Musicology


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