Constructing a hybrid identity through music: On Typhoon’s “practice of self-styling” in Lobi Da Basi
dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Schuiling, F. | |
dc.contributor.advisor | Rusch, L. | |
dc.contributor.author | Struijk, R.E. | |
dc.date.accessioned | 2021-01-05T19:00:18Z | |
dc.date.available | 2021-01-05T19:00:18Z | |
dc.date.issued | 2020 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/38405 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 465734 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Constructing a hybrid identity through music: On Typhoon’s “practice of self-styling” in Lobi Da Basi | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Typhoon; Lobi Da Basi; hip hop; Kaseko; diaspora music; hybrid identities; Black Atlantic; practice of self-styling; identity construction | |
dc.subject.courseuu | Applied Musicology |