dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Lambrecht, S.M.L. | |
dc.contributor.author | Bruinenberg, N.A.J. | |
dc.date.accessioned | 2020-09-02T18:00:53Z | |
dc.date.available | 2020-09-02T18:00:53Z | |
dc.date.issued | 2020 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/37349 | |
dc.description.abstract | The music industry deals with gatekeeping on a daily basis. Music passes through several channels or gates, in order for music to reach the audience. Therefore, this master thesis will examine in depth the functions of these so-called gatekeepers and gatekeeping networks, in order to understand where power and control lie in relation to processes of cultural flow. This thesis specifically focuses on the role of the A&R manager within the concept of gatekeeping. It examines the traditional role of the A&R manager before the rise of the internet and the current role of the A&R manager within gatekeeping through interviews with music professionals. In this way an up-to-date overview of gatekeeping within the Dutch music industry is presented. This thesis shows the evolution of gatekeeping and explains the changed role of the A&R manager since the rise of the internet and online developments such as the rise of platforms like Spotify and YouTube. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1309087 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Who’s in Charge? The Role of the A&R Manager as Gatekeeper within the Dutch Music Industry | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | gatekeepers, A&R, record labels, gatekeeping theory, Dutch music industry, musicology, Nieneke Bruinenberg | |
dc.subject.courseuu | Applied Musicology | |