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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorLambrecht, S.M.L.
dc.contributor.authorBruinenberg, N.A.J.
dc.date.accessioned2020-09-02T18:00:53Z
dc.date.available2020-09-02T18:00:53Z
dc.date.issued2020
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/37349
dc.description.abstractThe music industry deals with gatekeeping on a daily basis. Music passes through several channels or gates, in order for music to reach the audience. Therefore, this master thesis will examine in depth the functions of these so-called gatekeepers and gatekeeping networks, in order to understand where power and control lie in relation to processes of cultural flow. This thesis specifically focuses on the role of the A&R manager within the concept of gatekeeping. It examines the traditional role of the A&R manager before the rise of the internet and the current role of the A&R manager within gatekeeping through interviews with music professionals. In this way an up-to-date overview of gatekeeping within the Dutch music industry is presented. This thesis shows the evolution of gatekeeping and explains the changed role of the A&R manager since the rise of the internet and online developments such as the rise of platforms like Spotify and YouTube.
dc.description.sponsorshipUtrecht University
dc.format.extent1309087
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleWho’s in Charge? The Role of the A&R Manager as Gatekeeper within the Dutch Music Industry
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsgatekeepers, A&R, record labels, gatekeeping theory, Dutch music industry, musicology, Nieneke Bruinenberg
dc.subject.courseuuApplied Musicology


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