Gezangen of het vrolyk gezelschap der negen zanggodinnen - The Songs of Jan van Elsland

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Grijp, Prof. Dr. L.
dc.contributor.advisor	Rasch, Dr. R.
dc.contributor.author	Weinreich, U.
dc.date.accessioned	2009-10-15T17:01:07Z
dc.date.available	2009-10-15
dc.date.available	2009-10-15T17:01:07Z
dc.date.issued	2009
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/3619
dc.description.abstract	Most of the Dutch seventeenth and eighteenth century songbooks contain no music, since they needed to be inexpensive. Being rare, songbooks with music are important for researching tunes of songs of which only texts are left. Jan van Elsland’s 'Gezangen. Of het vrolyk gezelschap der negen zanggodinnen' does not only include musical notes, but also displays a broad collection of profane songs. New tunes stand next to old, popular ones. The texts mirror joy and sorrow of Haarlem’s citizens in the eighteenth century.
dc.description.sponsorship	Utrecht University
dc.format.extent	1939971 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Gezangen of het vrolyk gezelschap der negen zanggodinnen - The Songs of Jan van Elsland
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	music book, Haarlem, eighteenth century, Elsland, Hulkenrooy
dc.subject.courseuu	Musicology