dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | SCHMIDT, VICTOR | |
dc.contributor.author | Sotiropoulou, C. | |
dc.date.accessioned | 2019-09-27T17:00:25Z | |
dc.date.available | 2019-09-27T17:00:25Z | |
dc.date.issued | 2019 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/34283 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 22197524 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Bruges or Brussels? Re-examining the origins of the painted wings of the Reinoldikirche’s Passion altarpiece. | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Dortmund, Master of, Hakendover, Bruges, Brussels, Medieval altarpiece, painted wings | |
dc.subject.courseuu | Art History of the Low Countries | |