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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorLazaroms, I.J.M.
dc.contributor.authorBroek, D. van den
dc.date.accessioned2019-08-30T17:00:35Z
dc.date.available2019-08-30T17:00:35Z
dc.date.issued2019
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/33786
dc.description.abstractJoin us and die or die and join us: there seems to be no way out of the current populist right-wing political climate in Northern America and (Western) Europe. Post-truths are used to further polarise individuals and/or groups and death has become part of a ‘feel good’ fiction. While politicians like Thierry Baudet and Donald Trump envision a ‘revived’ Western Paradise, the other is left depressed; failing to live within the capitalist narrative of positive straight continuity. However, instead of framing this state of depression and failure as inevitable, this thesis, using the work of Ann Cvetkovich and Jack Halberstam, conceptualises negativity and immobility as a way to deconstruct and re/think this positive straight continuity in favour of crafting something else: utopia. Through crafts as a re/claimed practice, this thesis looks at the way negativity can craft, stitch and rip, the ordinary everyday.
dc.description.sponsorshipUtrecht University
dc.format.extent347496
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleStitched Ripped, Ripped Stitched: Crafting A Queer Utopia In A Post-Truth Paradise
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsCrafts, Political depression, Queer failure, Post-truth, Utopia, Paradise, Affect theory, Queer theory, Feminist theory
dc.subject.courseuuGender Studies


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