Nalini Malani: Transgressions | In the Context of Its Exhibition at the Stedelijk Museum Amsterdam in 2017

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Boersma, L.S.
dc.contributor.author	Schaik, M.J. van
dc.date.accessioned	2019-08-12T13:55:09Z
dc.date.available	2019-08-12T13:55:09Z
dc.date.issued	2018
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/33300
dc.description.abstract	Transgressions (2001) is a "video/shadow play" by Nalini Malani (1946, Karachi). This immersive installation employs an archive of stories from different cultural contexts and presents these in a fragmented narrative. The thesis focuses on the different ways in which these stories can be read, how the video/shadow play functions as a medium, and reflects on the way in which the work was presented in the 2017 exhibition Nalini Malani: Transgressions at the Stedelijk Museum Amsterdam. It thereby reflects on the working of memory and the political in the post colonial context.
dc.description.sponsorship	Utrecht University
dc.format.extent	1704933
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Nalini Malani: Transgressions \| In the Context of Its Exhibition at the Stedelijk Museum Amsterdam in 2017
dc.type.content	Bachelor Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Nalini Malani; Art History: Contemporary Art; Memory; Post colonial: Stedelijk Museum Amsterdam
dc.subject.courseuu	UCU Liberal Arts and Sciences - Humanities: Art History/Museum Studies