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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorDolphijn, R.
dc.contributor.authorStrengholt, R.M.G.
dc.date.accessioned2018-05-02T17:01:05Z
dc.date.available2018-05-02T17:01:05Z
dc.date.issued2018
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/29002
dc.description.abstractThis case study looks at the relationship between the Southeast Asian documentary filmmakers and different cultural institutes in the Netherlands, to see how both parties negotiate their network in order to achieve what they need. This research is based on relevant literature about independent Southeast Asian cinema and interviews with Southeast Asian filmmakers and people working at cultural institutes in the Netherlands. Considering the Actor-Network Theory, these sources suggest that there was at one point a certain platform, but that the relationship is one that needs constant attention and work for the platform to remain, so as to be beneficial to the cultural institutes and the filmmakers themselves, as the network needs to be actively used.
dc.description.sponsorshipUtrecht University
dc.format.extent1133896
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleScreening Realities: A study of the relationship of negotiation between Southeast Asian documentary filmmakers and the cultural institutes in the Netherlands considering investing in them
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsSoutheast Asia, documentary, IDFA, film, festival, network, Actor-Network Theory, ANT, Netherlands, IFFR, international
dc.subject.courseuuFilm- en Televisiewetenschap


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