Show simple item record

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorSupheert, R.G.J.L.
dc.contributor.authorBruinsma, S.R.L.
dc.date.accessioned2017-12-05T18:01:46Z
dc.date.available2017-12-05T18:01:46Z
dc.date.issued2017
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/28149
dc.description.abstractAlfred, Lord Tennyson and Walt Whitman are often contrasted with one another. Tennyson was England’s Poet Laureate during the Victorian Age whose greatest theme was the past; Whitman was America’s bard of the open road, equality his grand theme. This close reading of nature imagery in “In Memoriam” and Leaves of Grass sets out to highlight the similarities between the two poets, rather than their differences. By looking at examples of the elements air, water, and earth in Tennyson and Whitman’s multi-layered use of nature this study emphasises the importance both poets give to the sensual experience of going out into the natural world. Tennyson and Whitman’s speakers face different situations and emotions, but both poets advocate this sensual experience. This thesis champions that aspect of their poetry, as it is considered integral to their nature imagery.
dc.description.sponsorshipUtrecht University
dc.format.extent917224
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleThree Elemental Steps to the Sensual Experience of Nature : Air, Water, and Earth in Alfred Tennyson’s “In Memoriam” and Walt Whitman’s Leaves of Grass
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.courseuuEngelse taal en cultuur


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record