| dc.description.abstract | "This thesis is the outcome of three months of ethnographic fieldwork in London, the year after the Brexit referendum. By conceptualising the referendum as a moment of rupture, as the beginning of an in-between period in British society, the central aim of this thesis is to trace some of the ways in which individuals and collectives have started to come together and shape strategic narratives about contemporary British society, articulating different scale-making projects within technological and political assemblages.
The fieldwork upon which this thesis is based is defined as a multi-speed approach to ethnographic research: on the one hand, it consists of embedded and embodied knowledge drawn from participant-observation and from interviews with politically active individuals; on the other hand, it consists of mediated knowledge drawn from research in and of cyberspace. A secondary aim of this thesis is to account for the role of digital technologies in political discourse and practice.
In terms of theory, this thesis aims for a relational understanding of Brexit, both as a process caught up in multiple flows and relations, and as a force that actively produces relations among different groups in British society. In other words, Brexit is here understood as a problem that catalyses the emergence of different (and divergent) publics, which in turn frame Brexit within specific scale-making projects.
In the final instance, these scale-making projects can be understood as horizons of public intervention, that is, as alignments of temporalities, spatial scales, and technologies that enact meaningful and intentional public interventions at specific junctures of society. By paying attention to these horizons, this thesis aims to bring into focus some of the potential social formations and cultural becomings that are currently emerging in Brexit Britain, trying as far as possible not to speculate on what will actually happen after Britain leaves the European Union." | |
