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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorKattenbelt, C
dc.contributor.authorKotsou, A.
dc.date.accessioned2015-09-07T17:00:43Z
dc.date.available2015-09-07T17:00:43Z
dc.date.issued2015
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/27666
dc.description.abstractThis research paper investigates possible changes in the perception within puppet theater which have a twofold aspect. On the one hand, and in order to offer a cross-disciplinary approach to the subject, puppet figure is explored within the sociological study on objects as theorized by Bruno Latour and the anthropological study on things by Tim Inglod. The puppet figure will arise as a thing in life which influences the artistic process equally as the artist. On the other hand, the notion of intermediality is employed in order to not only place the puppet theater within contemporary theater-theoretical discourse but to suggest that the intermedial lies in the core of this art form, enhanced by the emergence of the artist’s perception of the puppet as a thing.
dc.description.sponsorshipUtrecht University
dc.format.extent725858
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titlePuppet Theater: Changes in the Perception
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordspuppet, theater, intermedial, object, thing
dc.subject.courseuuTheaterwetenschap (Theatre Studies)


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