How Are Members of the Audio-Visual Creative Labour Market Silently Facilitating Precarious Work Conditions?
An analysis of how neoliberalism, digitisation, and globalisation impacts the perceived role of the government to a de-regulated labour economy.

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Minnaert, A.J.C.
dc.contributor.advisor	Hubbard, E.A.
dc.contributor.author	Mc Pherson, J.A.
dc.date.accessioned	2017-09-05T17:03:57Z
dc.date.available	2017-09-05T17:03:57Z
dc.date.issued	2017
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/27361
dc.description.sponsorship	Utrecht University
dc.format.extent	79243
dc.format.mimetype	application/zip
dc.language.iso	en
dc.title	How Are Members of the Audio-Visual Creative Labour Market Silently Facilitating Precarious Work Conditions? An analysis of how neoliberalism, digitisation, and globalisation impacts the perceived role of the government to a de-regulated labour economy.
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	precariat, precarious labour, neoliberalism, globalisation, social capital, cultural capital, scarcity, volunteerism, devaluation, branding, digitisation, knowledge economy, film industry, music industry, audiovisual, audio-visual, creative labour, creative class, freelancers, entrepreneurs
dc.subject.courseuu	Arts and Society