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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorSchilling, B
dc.contributor.authorMolenberg, B.C.
dc.date.accessioned2017-09-05T17:03:43Z
dc.date.available2017-09-05T17:03:43Z
dc.date.issued2017
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/27342
dc.description.abstractIn this thesis the notion of the Foundation for Cultural Cooperation with Suriname and the Netherlands Antilles (Sticusa) as an institution guilty of cultural imperialism is challenged. Instead of focusing on continuity after colonialism the focus in this thesis lies on change. The Sticusa operated in a multi-cultural country in which culture carried the weight of nation-building; therefore it was heavily contested. Through its activities Sticusa created niches that were filled by the creative practices of Surinamese writers, artist, and others involved in the cultural world of Suriname. In their cultural endeavours, they brought about cultural change and provided in the effort to create a national culture.
dc.description.sponsorshipUtrecht University
dc.format.extent1098236
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleChance, Change, and the Sticusa. On the nature of Cultural Cooperation between the Sticusa and Suriname
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsSticusa; Suriname; autonomy; charter; 1954; CCS; culture; 1975; pre-independence; cultural imperialism; change
dc.subject.courseuuCultuurgeschiedenis van modern Europa


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