Terrorism on Your Bookself: How the (neo-)Orientalist discourse is represented in Tom Clancy's techno-thriller The Teeth of The Tiger and Jacky Collins' chicklits Goddess of Vengeance and The Santangelos
dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Krabbendam, H. | |
dc.contributor.author | Kok, M. | |
dc.date.accessioned | 2017-09-05T17:03:42Z | |
dc.date.available | 2017-09-05T17:03:42Z | |
dc.date.issued | 2017 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/27340 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1520410 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en_US | |
dc.title | Terrorism on Your Bookself: How the (neo-)Orientalist discourse is represented in Tom Clancy's techno-thriller The Teeth of The Tiger and Jacky Collins' chicklits Goddess of Vengeance and The Santangelos | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | racism, orientalism, Said, gender, film, television, literature, Middle East | |
dc.subject.courseuu | American Studies |