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From Amsterdam’s City Theater to the Tiniest Dollhouse: A Study to the Adaption of Lully’s Music in The Northern Netherlands of the Seventeenth and Eighteenth Century

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorWennekes, E.G.J.
dc.contributor.authorLisser, I.
dc.date.accessioned2017-08-18T17:01:30Z
dc.date.available2017-08-18T17:01:30Z
dc.date.issued2017
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/26898
dc.description.sponsorshipUtrecht University
dc.format.extent15252363
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleFrom Amsterdam’s City Theater to the Tiniest Dollhouse: A Study to the Adaption of Lully’s Music in The Northern Netherlands of the Seventeenth and Eighteenth Century
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsMusic, Propaganda, Lully, Jean-Baptiste, Opera, Netherlands, Nederland, France, Frankrijk, Louis XIV, 1672, Franco-Dutch War, Tragédie Lyrique, Tragédie en Musique, Speelmuziek, Liedboeken, Liedcultuur
dc.subject.courseuuMusicology


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