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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorVerheul, J.
dc.contributor.advisorPargas, D.
dc.contributor.authorWevers, M.J.H.F.
dc.date.accessioned2009-07-01T17:02:01Z
dc.date.available2009-07-01
dc.date.available2009-07-01T17:02:01Z
dc.date.issued2009
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/2682
dc.description.abstractThis thesis sets out to explore how myths and cultural are expressed in twelve American indie albums released during the Bush Jr. presidency. Indie, short for independent, is an alternative music genre defined primarily by its attitude. Originally, indie artists released their records through independent record labels and distributors. The term indie has become rather vague, as many indie artists are not wholly independent anymore; yet, a spirit of independence is still present. This spirit exists in the artists’ distaste for commercialized music and the presence of experimental elements in the music. Contemporary American indie has an ability to move freely between popular culture and high art, this ability has had a distinct influence on indie’s cultural identity.
dc.description.sponsorshipUtrecht University
dc.language.isoen_US
dc.titleTHIS IS NOT MY MYTH, BUT IT IS MINE TO USE: THE EXPRESSION OF MYTH AND CULTURAL IDENTITY IN AMERICAN INDIE ALBUMS DURING THE GEORGE W. BUSH PRESIDENCY
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsindie, music, culture, american identity, myth, cultural identity, American, United States,
dc.subject.courseuuAmerican Studies


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