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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorDielissen, Gerrit
dc.contributor.authorBlinston, L.K.
dc.date.accessioned2015-09-24T08:49:55Z
dc.date.available2015-09-24T08:49:55Z
dc.date.issued2015
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/26567
dc.description.abstractThe notion of authenticity plays a role in cultural tourism of the Maasai, an African indigenous group. The ambiguous concept of authenticity is constructed based on ethnic boundaries that are negotiated between the Maasai people and the expectations of the tourists. It will be analyzed how aspects of the Maasai culture are commoditized by the tourism industry. Furthermore, how do ethnic ascriptions construct and reconstruct a homogenous image of the Maasai ethnic identity. The image of the authentic Maasai experience that is marketed in tourism disregards the plurality to the collective identities of the indigenous group. Although the gaze of the tourists may exoticize the Maasai, they are able to assert agency in tourism by staging the tourist’s expectations of authenticity to gain economic profit.
dc.description.sponsorshipUtrecht University
dc.format.extent557849
dc.format.extent1048896
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/zip
dc.language.isoen
dc.titleStaging “Authenticity” in Cultural Tourism of the Maasai
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsMaasai, Tourism, Exotic, Authenticity, Staging Authenticity, Indigenous, Ethnicity, Consumerism, Collective Identity
dc.subject.courseuuUCU Liberal Arts and Sciences


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