Show simple item record

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorKöll, N.
dc.contributor.authorHooft, M. van 't
dc.date.accessioned2015-09-24T08:49:49Z
dc.date.available2015-09-24T08:49:49Z
dc.date.issued2015
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/26500
dc.description.abstractThis thesis investigates the externalisation of the mind when a literary work is transferred to the theatrical stage. It analyses the specific case of Mark Haddon's book 'The Curious Incident of the Dog in the Night-Time', which was adapted into a play by Simon Stephens, and premiered in the National Theatre in London in 2012. The paper looks at different stages of the adaptation process, and emphasises the importance of intermediality in this case. It concludes that in 'The Curious Incident of the Dog in the Night-Time', the mind is externalised through three main mechanisms, namely narratology, physical theatre and audio-visual elements.
dc.description.sponsorshipUtrecht University
dc.format.extent2171593
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleFrom Page to Stage: On the Externalisation of the Mind in the Theatre Adaptation of The Curious Incident of the Dog in the Night-Time
dc.type.contentHonours Program Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsAdaptation; Theatre; Literature; Media; Performance; Visual; Audio; Book; Script
dc.subject.courseuuUCU Liberal Arts and Sciences


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record