dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Hoenselaars, A.J. | |
dc.contributor.advisor | Franssen, P.J.C.M. | |
dc.contributor.author | Verwoerd, E.W.T. | |
dc.date.accessioned | 2015-09-23T17:00:38Z | |
dc.date.available | 2015-09-23T17:00:38Z | |
dc.date.issued | 2015 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/26322 | |
dc.description.abstract | This thesis uses Stephen Greenblatt's take on New Historicism to analyze several works of fiction of the 20th and 21st Centuries in which a fictional reworking of Thomas More plays a part. The focus lies on Hilary Mantel's 2009 novel Wolf Hall. Its thesis statement: "Looking at different interpretations of Thomas More in contemporary culture, can the New Historicist approach be used to interpret these different representations of Thomas More as a character? And, subsequently, do these representations tell us more about More himself, as well as the author and his or her beliefs and cultural upbringing? Lastly, can a study of contemporary representations of Thomas More as a character be of use to shed light on the benefits of the New Historicist approach?" | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 790144 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en_US | |
dc.title | A Man for All Seasons | |
dc.type.content | Bachelor Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | thomas more, stephen greenblatt, new historicism, renaissance, henry viii, hilary mantel, wolf hall | |
dc.subject.courseuu | American Studies | |