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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorHoenselaars, A.J.
dc.contributor.advisorFranssen, P.J.C.M.
dc.contributor.authorVerwoerd, E.W.T.
dc.date.accessioned2015-09-23T17:00:38Z
dc.date.available2015-09-23T17:00:38Z
dc.date.issued2015
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/26322
dc.description.abstractThis thesis uses Stephen Greenblatt's take on New Historicism to analyze several works of fiction of the 20th and 21st Centuries in which a fictional reworking of Thomas More plays a part. The focus lies on Hilary Mantel's 2009 novel Wolf Hall. Its thesis statement: "Looking at different interpretations of Thomas More in contemporary culture, can the New Historicist approach be used to interpret these different representations of Thomas More as a character? And, subsequently, do these representations tell us more about More himself, as well as the author and his or her beliefs and cultural upbringing? Lastly, can a study of contemporary representations of Thomas More as a character be of use to shed light on the benefits of the New Historicist approach?"
dc.description.sponsorshipUtrecht University
dc.format.extent790144
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.titleA Man for All Seasons
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsthomas more, stephen greenblatt, new historicism, renaissance, henry viii, hilary mantel, wolf hall
dc.subject.courseuuAmerican Studies


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