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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorFumerton, Mario
dc.contributor.authorBateson, F.L.D.
dc.date.accessioned2015-09-21T17:01:08Z
dc.date.available2015-09-21T17:01:08Z
dc.date.issued2015
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/24456
dc.description.abstractThis research aims to look beyond the military identity of the Women’s Protection Units (YPJ) that is publically portrayed in Western media. Through fieldwork conducted in Rojava (West Kurdistan) and using the framework of social performance theory, this paper examines the private performances within the all-female military units to see how the dramatisations of their values and beliefs contribute to the process of collective identity of the YPJ. The thesis argues that it is of central importance to study the conscious and unconscious messages conveyed during their private interactions in order to understand the multifaceted nature of their identity. The findings demonstrate that the YPJ’s public performances portray a narrow message of a militarised collective identity, but their private performances illuminate their ideology, their feminist foundations, and feminine nature, ultimately showing that the military is not limited to the masculine.
dc.description.sponsorshipUtrecht University
dc.format.extent736426
dc.format.mimetypeapplication/zip
dc.language.isoen
dc.titleJust Warriors and Beautiful Souls: How the ideological performances of the Women’s Protection Units (the YPJ) are contributing to the process of collective identity within the female military units in Rojava from 2012 to the present
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.courseuuConflict Studies and Human Rights


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