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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorPascoe, D.A.
dc.contributor.authorPut, J.K. van der
dc.date.accessioned2016-09-05T17:00:36Z
dc.date.available2016-09-05T17:00:36Z
dc.date.issued2016
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/24080
dc.description.abstractThis article locates in the prose and poetry of Nick Cave, the intersections with, and influences of Vladimir Nabokov’s Lolita. Taking cues from previous studies of both Lolita and Cave’s artistic repertoire, the article illuminates some of the ways in which readers might read echoes of Nabokov into Cave’s work. The first chapter delves into literary archetypes before offering a reading of Cave’s work as a development of themes and characters in Lolita. The second chapter offers a guided tour across concepts related to the road novel. Taking account of Cave’s long and winding career, this article takes cues from music, pop culture, and literature to create a new map of the circumstances of Cave’s literary imagination in a post-Lolita society.
dc.description.sponsorshipUtrecht University
dc.format.extent716297
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.titleNick Cave, Nabokov and the Legacy of Lolita
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsNick Cave; Nick; Cave; Nabokov; Vladimir; Lolita; America; Literature; Pop Culture; Music; Lyrics; And the Ass Saw the Angel; The Death of Bunny Munro; Bunny Munro; English; Road Novel; Monster;
dc.subject.courseuuEngelse taal en cultuur


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