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Victorian Representations of Crime and Masculinity: Arthur Conan Doyle’s The Sign of the Four and Oscar Wilde’s The Picture of Dorian Gray

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorBagchi, Dr. B.
dc.contributor.authorPiso, D.R.
dc.date.accessioned2016-03-17T18:00:40Z
dc.date.available2016-03-17T18:00:40Z
dc.date.issued2016
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/22028
dc.description.sponsorshipUtrecht University
dc.format.extent645760
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleVictorian Representations of Crime and Masculinity: Arthur Conan Doyle’s The Sign of the Four and Oscar Wilde’s The Picture of Dorian Gray
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsVictorian literature, English, The Picture of Dorian Gray, Oscar Wilde, The Sign of Four, The Sign of the Four, Arthur Conan Doyle, Sherlock Holmes, masculinities, morality, crime
dc.subject.courseuuEngelse taal en cultuur


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