A pine needle fell in the forest. The eagle saw it fall. The deer heard it. The bear smelled it.

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Dolphijn, R.
dc.contributor.author	Vos, J.W. de
dc.date.accessioned	2012-09-06T17:02:05Z
dc.date.available	2012-09-06
dc.date.available	2012-09-06T17:02:05Z
dc.date.issued	2012
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/20033
dc.description.abstract	In this thesis Jesse de Vos explains how interactive documentaries are fundamentally dynamic and relational objects that require a theoretical framework allowing us to describe these relations. Building on the philosophical work of Deleuze and Massumi he explores the aesthetico-political implications of the interactive documentary BEAR 71 (2011).
dc.description.sponsorship	Utrecht University
dc.format.extent	329992 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	A pine needle fell in the forest. The eagle saw it fall. The deer heard it. The bear smelled it.
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	interactivity, interactive, documentaries, Deleuze, Massumi,
dc.subject.courseuu	Film- en Televisiewetenschap